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Politicians blotch up the landscape. Nobody knows how to clear the mess | Kamala Das

Beginning a new column is like entering into a marriage arranged by others. One worries about a possible incompatibility with the conceptual audience.
Am I likable? Do the topics I fancy writing about interest others?

Such questions provide unease and delay the decisions.

This is to be a column directed at the largest audience imaginable.

What is common in me and in all of them?
.
Not poetry. Not art. Not even the political manifesto of a non-political person living in the small town of Cochin. An editor of a Bombay papers weekend issue advised me not to write on Cochin in my column. Bombayites only like to read of their own city or of the metros of the West. The readers were anglicised and impatient with desk talk. The upper middle classes are more westernised today than their ancestors were, while the British ruled Indian. Dress might be ethnic but the dialect was most certainly a hybrid with touches of Goanese.

"Yawl are good people Mrs Das although yawl are Hindus," said Maria, who once had been my youngest child's tutor. Later she comforted me more by saying "yawl are Madrasis, but nobody can make out from your behaviour. Yes Mrs Das yawl are cultured people."

I do not dread the arrival of guests from other countries. They can adjust to the patterns of our routine. But I dread the westernised Indian who looks down upon the eating habits of Indians.

A lady with a painted face came to stay a week with me. She was my sister's friend's friend and had been given my address. When she joined us for lunch she cried.

"Mrs Das, where is the serviette? How can I begin eating without the serviette?"

Some tiny terry towels were brought out in order to let the lady eat. As a rule I am insufferably informal, and I have this habit of heaping everything into a thali and seating myself before the television to eat my supper. Westernised guests upset my cosy schedule. Formalities and polished talk eat into my precious time. I have no inclination to give after-dinner speeches either.

After the television programme I go back to my writing desk. The easy going nonfinicky guests can stay on for a month in my house and enjoy each day. He or she will get enough food to eat, a bed to sleep on and a bath with a geyser. There are no swanky serviettes here. No lace doilies either, the absence of pretty bric a brac or antique furniture might annoy the aesthete. But I have a clear idea of what I want in my home to make my life pleasant. I want space and fresh air. I want blank spaces on the wall that will relax my eyes.

I go to art galleries to inaugurate art exhibitions. I admire the dexterity displayed by the modern artists. But I shall never hang a gaudy modern painting in my bedroom or study. Mine are tired eyes. I hang the reproduction of a Ravi Varma in my bedroom, a voluptuous woman holding her infant, a rotund gem.

More people speak English in India than in Britain according to a British Council assessment. The young urbanites hardly ever speak any regional language. And yet there is a furore against English in almost every state of this country.

Instead of regarding English as one of the national languages people would like to see it exit from the Indian shores. Then the exit door will open for scientific, medical and engineering education all of which will vanish with English the best thing that the British gave to India is English. The Railways came next.

Young Indians ought not to listen to the sentimental rigmarole dished out by the disillusioned politicians of the country. Even with a foolish remark they are anxious to make an impact.

In Kerala recently some politicians have been accused of raping minor girls. There are other unsavoury activities this bitter breed indulges in. Politicians blotch up the landscape. Nobody knows how to clear the mess.

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നഷ്ടപ്പെട്ട നീലാംബരി- മാധവിക്കുട്ടിയുടെ കഥകൾ | ഡോ. ഷംഷാദ് ഹുസൈന്‍

അവതരണത്തിലും പ്രമേയത്തിലും  ഭാഷയിലെ കീഴ്വഴക്കങ്ങൾ ലംഘിച്ചു കൊണ്ട് മലയാളിയുടെ സാംസ്കാരിക ലോകത്ത് കലാപം സൃഷ്ടിച്ച എഴുത്തുകാരിയാണ് മാധവിക്കുട്ടി. നിത്യപ്രണയത്തിന്റെ വ്രെതനിഷ്ഠമായ സമരാഗ്നിയിൽ ജ്വലിച്ചു നില്ക്കുന്ന സ്ത്രീ സ്വത്വത്തിന്റെ വൈവിധ്യമാർന്ന ഭാവങ്ങളെ ആവിഷ്കരിക്കുന്ന കഥകളാണ് നഷ്ടപ്പെട്ട നീലാംബരിയിലും എന്റെ പ്രിയപ്പെട്ട കഥകളിലും ഉള്ളത്. മാധവിക്കുട്ടിയുടെ കഥകളിലെ സ്ത്രീ കഥാപാത്രങ്ങളെക്കുറിച്ച് ഡോ. ഷംഷാദ് ഹുസൈണ്‍ നടത്തിയ പഠനത്തിൽ നിന്ന് – ഡോ. ഷംഷാദ് ഹുസൈന്‍ – ‘എന്റെ വലിയ മുലകളെ പ്രശംസിക്കാന്‍ എന്നും ഏതെങ്കിലും വിഡ്ഢി ഉണ്ടായിരുന്നു.’ ഈയൊരു വാക്യം മതി, മാധവിക്കുട്ടിയുടെ നീഷേധങ്ങളെ അടയാളപ്പെടുത്താന്‍. വിശദീകരണങ്ങളില്ലാതെ തന്നെ ഈ വാക്യം പല തരത്തില്‍ നമ്മുടെ ബോധ്യങ്ങളെ തകര്‍ക്കുന്നുണ്ട്. സ്വന്തം ശരീരത്തെക്കുറിച്ച് തുറന്നെഴുതുന്നു എന്നത് തന്നെ ഒന്നാമത്തെ കാര്യം. സ്വന്തം ശരീരത്തെ സംബന്ധിച്ച് കൂട്ടുകാരോട് സ്വകാര്യമായി പങ്കു വെക്കുന്നതു പോലും നാണക്കേടായി കണ്ടിരുന്ന കാലത്താണ് എത്ര ലഘുവായി സുരയ്യ ഇത് എഴുത്തില്‍ കൊണ്ടു വന്നു എന്നു തിരിച്ചറിഞ്ഞത്. ശരീരത്തെ അതിന്റെ അഴകിനെ /