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Kamala Das Veiled by Anvar Alikhan | The Rediff Diary

I was reading in a recent interview (The Rediff Interview | http://goo.gl/Gk1ww6) of Kamala Das that she has, in fact, been wearing purdah, off and on for about 25 years.
I remember, I remember.

It was in Sri Lanka in 1983 when the great riots had broken out. The small community of Indian expats in Colombo had become collateral targets of the rampaging mobs. And we were all gibbering with fright. Those who could took the first Air Lanka flight back to India; those who couldn't held small councils of war, where strategies for survival were feverishly discussed.

At one of these, I remember, Kamala Das (whose husband was posted there as a senior World Bank official) interrupted the proceedings by saying she had the perfect solution. We all looked at her.

"I've got a special Pakistani suit made," she said simply, "If there's any trouble, I shall simply wear that. Nobody will even guess that I'm Indian."
This was a brainwave, which only a creative genius like Kamala Das could have thought up. After that every Indian in Colombo followed suit (no pun intended). A guy called Sunil Marya, who owned ashalwar kameez, was in great demand; all the Indian men there wanted to borrow his clothes so that they could have them copied by the local tailor as insurance. And for at least the next one year all the Indian men I knew there (myself included) took to wandering around in shalwar kameezes, trying to pass themselves off as Pakistanis.

Cowardice, as somebody once said, is the better part of valour.
I next bumped into Kamala Das at Colombo airport after a particularly harrowing phase of Sri Lankan political history. She was rather oddly dressed, in what looked like a night-suit with a dupattathrown over her head. She gave me a big smile.

"How do you like my Pakistani suit?" she asked. (Oh, so that was what it was supposed to be.)

"Very elegant," I assured her, "Very elegant indeed."

"It probably saved my life," she said, "Our car was stopped by a mob, but nobody guessed that I was Indian, wearing this." She preened in that curious looking night suit of hers, and adjusted thedupatta over her head.

Yes, she was enormously talented, and enormously charming, but not -- to the best of my recollection -- the most chic of women.

Now that I read in her recent interviews that she feels "very safe" in purdah, I know exactly what she means. In fact, the purdah quite possibly saved her life once, back then during the Sri Lankan troubles.

Creative Director Anvar Alikhan worked in Sri Lanka for three years during the eighties.

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നഷ്ടപ്പെട്ട നീലാംബരി- മാധവിക്കുട്ടിയുടെ കഥകൾ | ഡോ. ഷംഷാദ് ഹുസൈന്‍

അവതരണത്തിലും പ്രമേയത്തിലും  ഭാഷയിലെ കീഴ്വഴക്കങ്ങൾ ലംഘിച്ചു കൊണ്ട് മലയാളിയുടെ സാംസ്കാരിക ലോകത്ത് കലാപം സൃഷ്ടിച്ച എഴുത്തുകാരിയാണ് മാധവിക്കുട്ടി. നിത്യപ്രണയത്തിന്റെ വ്രെതനിഷ്ഠമായ സമരാഗ്നിയിൽ ജ്വലിച്ചു നില്ക്കുന്ന സ്ത്രീ സ്വത്വത്തിന്റെ വൈവിധ്യമാർന്ന ഭാവങ്ങളെ ആവിഷ്കരിക്കുന്ന കഥകളാണ് നഷ്ടപ്പെട്ട നീലാംബരിയിലും എന്റെ പ്രിയപ്പെട്ട കഥകളിലും ഉള്ളത്. മാധവിക്കുട്ടിയുടെ കഥകളിലെ സ്ത്രീ കഥാപാത്രങ്ങളെക്കുറിച്ച് ഡോ. ഷംഷാദ് ഹുസൈണ്‍ നടത്തിയ പഠനത്തിൽ നിന്ന് – ഡോ. ഷംഷാദ് ഹുസൈന്‍ – ‘എന്റെ വലിയ മുലകളെ പ്രശംസിക്കാന്‍ എന്നും ഏതെങ്കിലും വിഡ്ഢി ഉണ്ടായിരുന്നു.’ ഈയൊരു വാക്യം മതി, മാധവിക്കുട്ടിയുടെ നീഷേധങ്ങളെ അടയാളപ്പെടുത്താന്‍. വിശദീകരണങ്ങളില്ലാതെ തന്നെ ഈ വാക്യം പല തരത്തില്‍ നമ്മുടെ ബോധ്യങ്ങളെ തകര്‍ക്കുന്നുണ്ട്. സ്വന്തം ശരീരത്തെക്കുറിച്ച് തുറന്നെഴുതുന്നു എന്നത് തന്നെ ഒന്നാമത്തെ കാര്യം. സ്വന്തം ശരീരത്തെ സംബന്ധിച്ച് കൂട്ടുകാരോട് സ്വകാര്യമായി പങ്കു വെക്കുന്നതു പോലും നാണക്കേടായി കണ്ടിരുന്ന കാലത്താണ് എത്ര ലഘുവായി സുരയ്യ ഇത് എഴുത്തില്‍ കൊണ്ടു വന്നു എന്നു തിരിച്ചറിഞ്ഞത്. ശരീരത്തെ അതിന്റെ അഴകിനെ /